Given how well you did with "The Last Hero on Earth," I'm surprised nobody's approached you with the idea of doing music for a musical. And when I say "approached you," I mean with some upfront cash, an existing story and a contract for music rights/profit sharing in hand.
Think about it. A show like "The Best Little Whorehouse in Texas," with a small on-stage country band, worked beautifully. Tom makes great music with a guitar and a double handful of computer recording. Who better to write for a small theatrical production?
I'd do it, but my theatrical production budget for this quarter is going into an extra bowl of gruel.
Really? Strong disagreement from this end. The tunes, while energetic, were generic pastiche. The lyrics were a motley compendium of bad rhymes, worse scansion, and stale jokes.
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Think about it. A show like "The Best Little Whorehouse in Texas," with a small on-stage country band, worked beautifully. Tom makes great music with a guitar and a double handful of computer recording. Who better to write for a small theatrical production?
I'd do it, but my theatrical production budget for this quarter is going into an extra bowl of gruel.
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http://www.pittsburghcitypaper.ws/gyrobase/Content?oid=32443
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Doot doot doot doo, doot doot doot doo, doot doot doot doo....
AAARRRRGGGGHHHHHH!!!!
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