The person who originally heard the high-pitched noise seems to have better upper-register hearing than I do. He sent me a sample, slowed down, so that the noise he heard was more in human-hearing range. Now I hear what he's talking about it. Not sure what to do yet. Updates as warranted.
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(no subject)
Date: 2006-04-25 12:51 am (UTC)You could:
Date: 2006-04-25 01:32 am (UTC)I have to wonder - is the noise in the original recording? It could be a digital "artifact", or there may have been a problem with the recording equipment in the first place, or a source of electrical noise in the building. You mentioned that is was on multiple tracks - were they all recorded the same day/with the same equipment?
(no subject)
Date: 2006-04-25 04:47 am (UTC)Solutions: Lowpass filters on the mic before going to the mixer, a little plastic box and dampening foam around the monitor so air and noise don't get into the room (watch for ventilation though), or having everything but the keyboard and mouse in a seperate room and visible through a glass pane. Use regular bulbs instead of flourescent in the studio as well. Highly Cardoid mikes help also.
(no subject)
Date: 2006-04-25 12:56 pm (UTC)Why? Likely because I'm an asthmatic. For some unknown reason there's a strong correlation between asthma and heariung the foes way above the normal range.
As I learned the hard way, I could hear ultrasonic motion detectors as well. And a lot of older monitors drove me *nuts* because I could hear the whine. Thankfully modern superVGA monitors are above even *my* range.
(no subject)
Date: 2006-04-25 03:17 pm (UTC)What it is today, I haven't a clue - 6 years around jet engines will tear the high end out of anybody's senses. I can still hear the CRT sawtooth generators in computer monitors, but I have to be within 9 feet of them.